Kode Semiotika Roland Barthes pada Antologi Puisi Duka-Mu Abadi Karya Sapardi Djoko Damono

Muchlas Abror, Desta Subahtiar

Abstract


This research is motivated by the use of semiotic codes in poetry that presents ambiguous meanings that are difficult to interpret as a whole. To solve the problem, this research uses semiotic code reading according to Roland Barthes. The material object of this research is a poem entitled Prologue and Saat Sebelum Berangkat contained in the anthology Duka-Mu Abadi by Sapardi Djoko Damono. Methods and techniques of data collection by reading, listening, and recording. While heuristic, hermeneutic, and retroactive methods are used to analyze the data. The results of the analysis show that there are five semiotic codes consisting of prerioactive, hermeneutic, cultural, semantic, and symbolic. The prerioactive code in the Prologue poem is in the form of contemplation and meaning of life, and the realization that a loved one has passed away who then has to carry out a funeral for the corpse in the poem Saat Sebelum Berangkat (SSB). The cultural code of the Prologue poem shows the existence of Christian and Jewish religious culture, as well as the upper middle class in the SSB poem. The symbolic code in the Prologue poem is the use of the pronoun ‘Mu’ which refers to God, the Qain field, and the Gologota hill, while in the SBB poem it is a bouquet of flowers, the full world. The hermeneutic and semantic codes of both poems show the grief and loneliness of being left behind by a loved one.

 

Keywords: Duka-Mu Abadi, Code, Roland Barthes, Semiotics


Full Text:

PDF

References


Abror, M. (2017). Kajian Semiotika Pada Antologi Puisi Jagat Gugat Karya Roso Titi Sarkoro dan Implementasi Pembelajarannya di SMA. Universitas Tidar Magelang.

Abror, M. (2018). Puisi Karya Apip Mustofa Tinjauan Struktur dan Semiotik. Wiidasastra, 1, 102–112. https://d1wqtxts1xzle7.cloudfront.net/66244793/WIDYASASTRA_Desember-libre.pdf?1618230981=&response-content disposition=inline%3B+filename%3DWIDYASASTRA_Desember.pdf&Expires=1680277555&Signature=CO7mS4-T0GKXiqzzqCwWAZHeGbWJ6csIEpt00VxSP4UyCFtPTA4bkHPlQVPIQ

Barthes, R. (1975). S/Z. American Book- Stratford Press.

Barthes, R. (2007). Petualangan Semiologi (Terjemah). Pustaka Pelajar.

Damono, S. D. (1999). Politik, Ideologi, dan Sastra Hibrida. Pustaka Firdaus.

Ishak, M. T. dan M. M. S. (2005). Pembacaan Kode Semiotika Roland Barthes Terhadap Bangunan Arsitektur Katedral Evry Di Prancis Karya Mario Botta. Rona Jurnal Arsitektur, 2(1), 85–92.

Nasution, I. (2008). Sistem Dan Kode Semiotika Dalam Sastra: Suatu Proses Komunikasi. Jurnal Ilmiah Bahasa Dan Sastra, IV(2), 109–115.

Nurmayani, E., & Aini, R. (2019). Bentuk Citraan dalam Kumpulan Puisi Penangkar Bekisar Karya Kiki Sulistyo : Kajian Stilistika. Jurnal Elkatarie: Jurnal Ilmu Pendidikan Dan Sosial, 1(02), 17–27. http://ejournal.kopertais4.or.id/sasambo/index.php/elkatarie/article/view/3 91

Pateda, M. (2010). Semantik Leksikal. Rineka Cipta.

Pradopo, R. D. (1997). Buku Materi Pokok Puisi. Universitas Terbuka.

Pradopo, R. D. (2010). Pengkajian Puisi (10th ed.). Gadjah Mada University Press.

Saputra, A. (2022). Perbedaan Mencolok Antara Qabil dan Habil yang Diabadikan Alquran. Republika.Co.Id. https://iqra.republika.co.id/berita/rbf2pk320/perbedaan-mencolok-antara-qabil-dan-habil-yang-diabadikan-alquran

Sobur, A. (2013). Semiotika Komunikasi (5th ed.). PT. Remaja Rosdakarya.




DOI: http://dx.doi.org/10.23960%2Faksara%2Fv25i1.pp42-56

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

View My Stats